High Speed Photography

Marbles
The photo is taken by fotoopa.

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A Splash

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Sound-triggered high-speed flash photography
These experiments were performed as part of the 2008 Astro-Science Workshop of the Adler Planetarium in Chicago, IL.

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The Red And The Blue
The photo is taken by Paul Hocksenar.

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Cherry Drop
Photo by Brian Davies.

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KevLewis

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Ghirlanda Colore
The photo is taken by Antonino Dattola.

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Water Sphere

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Popping Balloons
The photo is taken by Rob Hilken.

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Allesblinkt

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kalimistuk

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Apple Water Splash
Photo by linden.g.

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Speedy burst water balloon
“Awesome and interesting shot of a water balloon being popped. I’ve never seen a planet blow up, but this is how I imagine it would look.”

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Water Sound Figures
Photo by linden.g.

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Inapond

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Smashed (and burning) bulb
The photo is taken by Peter Wienerroither from the University of Wien, Austria.

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Rising Up
Photo by James Neeley.

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Strange Brew
Photo by Ray Edgar.

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Shattered Glass
“This photo perfectly freezes the moment between the breaking of the bulb and the tungsten filaments (thereby breaking the source of light), it’s a sort of limbo captured.”

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Unknown (?)

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High Speed Milk Drop

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Shower Cap

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H0S

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3 Waterbaloons

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Milk and Coffee
The photo is taken by Andreas Stridsberg.

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Bullet Pictures

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Red Light Bulb
Photo by spyzter.

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Pabst + Hollow Point

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Water Dart
Photo by Adam Connah.

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Nebarnix High-speed photography set

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Flame

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Taking Better Candid Photography

Candid styles of photography are increasingly becoming popular both in general day to day photography but also in formal photographic situations. Last time I was asked to photograph a wedding the couple actually hired me purely to take paparazzi style shows of them and their guests throughout the day. They had another photographer for the formal shots and gave me the brief of getting a behind the scenes look of the day.

The results, when they put together my shots with the formal ones were a wonderful blend of photos that told a fuller story than if they’d gone for one or the other.

Below are a number of tips to help photographers improve their ‘candid’ photography. Please note that these tips are not about taking sneaky, voyeuristic or true paparazzi shots (ie photographing people without their permission) but rather about how to add a more candid feel to the shots you take of people that you know.

https://i0.wp.com/digital-photography-school.com/blog/wp-content/candid-2-1.jpg

1. Take your Camera Everywhere

Probably the best way to take spontaneous photographs is to always be ready to do so. I have a DSLR which I take out when I’m on a shoot but between shoots like to cary with a quality point and shoot camera that I can whip out at a moments notice to capture the many opportunities for a good photo that life presents us with. Taking your camera with you everywhere also helps people to be more at ease with you taking their photo. I find that my friends and family just expect me to have my camera out so when I do fire it up it’s not a signal to them to pose but it’s a normal part of our interaction – this means that they are relaxed and the photos are natural.

2. Use a Long Zoom

Obviously the further you are away from your subject the less likely they will be to know that you’re photographing them and the more natural and relaxed they’ll act. Using a telephoto lens or long zoom enables you to shoot from outside their personal space but keep the feeling of intimacy in the shot you’re taking.

3. Kill the Flash

Perhaps the most obvious way that you can signal to another person that you’re photographing them is to use a flash. There’s nothing like a blinding flash of light in the eyes to kill a moment. If possible (and it’s not always) attempt to photograph without the flash if you’re aiming for candid shots. When in lower light situations increase your ISO setting, use a faster lens, open up your aperture or if your camera has a ‘natural light mode’ turn it on. Hopefully one or a combination of these approaches will help you blend into the background a little more.

4. Shoot lots

I’ve written about this before on this site but when you shoot multiple images quickly of a person you can sometimes get some surprising and spontaneous shots that you’d have never gotten if you shot just one. Switch your camera to continuous shooting mode and shoot in bursts of images and in doing so you’ll increase your chances of that perfect shot.

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5. Position Yourself strategically

While Candid Photography is about capturing the spontaneity of a moment and getting that perfect shot at the right split second of time I find that if you think ahead and anticipate what is about to unfold in front of you that you can greatly increase the chances of getting some great shots. So at a wedding get to the church early (or even go to the rehearsal) and think about what will happen during the ceremony and where will be best for you to stand to capture each moment. Which way will people be facing? What will they be doing? What will the light be like? Thinking through these issues will save you having to run around repositioning yourself when you should be shooting images – it’ll also mean you take a whole heap less shots of the back of people’s heads!

6. Photograph People Doing things

Images of people doing things tend to be much more interesting than people sitting passively doing nothing. For one your subject will be focussed upon something which adds energy to a photo (and takes their focus off you) but it also puts them in context and adds an element of story to your image. Timing is everything in Candid shots so wait until they are distracted from you and fully focussed upon what they are doing or who they are with and you’ll inject a feeling into your shots of them being unaware and that the viewer of your image is looking on unseen.

7. Photograph People with People

Something very interesting happens when you photograph more than one person in an image at a time – it introduces relationship into the shot. Even if the two (or more) people are not really interacting in the shot it can add depth and a sense of story into the viewing of the image. Of course ideally in candid shots you’d like some interaction between your subjects as that will add emotion into the shot also as we the viewer observe how the people are acting.

8. Shoot from the Hip

If your subject is aware that you’re there and that you have your camera out they might tense up or act a little unnaturally as they see you raising your camera to the eye. The beauty of digital cameras is that it doesn’t cost you anything to take lots of shots and it can be well worth shooting without raising your camera. To do this most effectively you might want to set your lens to a wider angle setting to make up for any aiming problems you might have.

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9. Mix up your Perspective

The other beauty of shooting from the hip is that it gives you a slightly different perspective to take the shot from (ie shooting from 3 feet height instead of 6). This adds to the candid nature of the shots. In fact sometimes it’s the slightly crooked, slightly out of focus or poorly composed shots taken from this type of angle that ends up looking the best because they come across as quite random. Of course you can add all these new perspectives to your shots without shooting from the hip. Crouch down, get up high, frame your shots on an angle, zoom in close and then quickly zoom out to a wide angle, break the rules of composition etc and you will add a new perspective to your shots that can mean they look fresh and surprising.

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10. Frame Images with Foreground Elements

A trick that I often use in candid shots is to purposely include something in the foreground of the shot to make it look as though I’m hiding behind it. You might do this with by shooting over someone’s shoulder, by including a little of a tree branch or the frame of a doorway.

11. Take Posed Shots into Candid Territory

One of my favorite times to shoot candid shots is when other people are taking formal ones. This is because everyone in the shot is focused on the one element (the other photographer) – but it’s not you. If the main photographer has posed the happy couple of the day or their bridal partly look for a different angle to them to take a shot of the same subject. Often if you take a few steps to the side and shoot from almost a profile position you can get great shots. Also zooming in to take shots of just one or two of the people in a larger group at these times can work well. Also try zooming right out to take a shot of the photographer and their subject all in one. If you’re the only photographer and you’re taking formal shots a great technique is to take your posed shot and then continue to shoot after everyone thinks you’ve finished. It’s often the shots just after the posed one that are the best as people relax and look at each other.

Source: Digital Photography School

Object Isolation Technique

OBJECT ISOLATION

An object can be seperated from its environment by various methods. E.g. you can use a very wide lens to sort the scene into distinctive layers. However, while you seperate the object the environment is still visible which may be disturbing because -say- the background is very ugly. Sometimes there’s a workaround for this problem: we choose a very small depth-of-field so only the main subject is in focus while everything in front or behind the focus plane gets blurry and therefore virtually unimportant. Have a look at the 1st sample below. The blue marble to right right sucks the view from the first look. This is a natural reaction because the brain scans for the most contrasty subject first. The isolation of the object due to its “outstanding” sharpness is very significant here.

by Michael Wagner
Wanna see a perverse example … Imagine to be in the Himalayas at a nice sunset and all you shoot is a beautiful rose … The result is not all too bad I think!

A small DOF is also a common technique for portrait photography. Usually it is quite difficult to find the right balance between people, that are chosen to be the main subject, and their environment. A sharp background is often distracting here so a large aperture should be used to focus the attention on the point of interest.
Basically like this one.

Source: Photozone

Simple Photos = Great Photos

(click to enlarge)

In Photography, it doesn’t really require breathtaking views, emotional poses, perfect moments, and or even professional models to make a good photo. Our normal everyday things can actually be good subjects for shooting sessions.

All you need is positioning, colors, creative concepts, and a lot of patience.

Have a look at some of these shots (above & thumbnails below)

(click to enlarge)

These are just normal things made into great subjects of photography, but it sure does look good. Photographers make good photos… not the cameras entirely.

Photography: Aileen May